Thursday, March 19, 2009

Male bonding: Hollywood’s hottest bromances



By Dorothy Pomerantz, Forbes
Updated 5:09 p.m. PT, Thurs., March. 19, 2009

Laurel and Hardy never discussed their feelings. Martin and Lewis didn’t worry about having enough male friends. Lemmon and Matthau were more interested in bickering than hugging.


That was the old model for buddy movies, where men goofed around with each other, made audiences laugh, but never discussed the deeper meaning of their friendships. By contrast, today’s men are more enlightened (and less homophobic) when it comes to their relationships with one another. They confide their worries, they act vulnerable, they hug. Hence the new model for the buddy comedy: the bromance.

The word “bromance” reportedly dates back to the early 1990s, when it appeared in Big Brother, a skating magazine, to describe the relationship between skateboarders who spent lots of time together. Brother plus romance equals bromance.


Today, the bromance can be a ticket to big box-office revenues. Audiences love seeing George Clooney and Brad Pitt in the “Ocean’s” movies, not just because of their good looks but because they know the two men are close friends in real life. Director Judd Apatow has based his career on the concept. His movies feature man-boys who often learn about themselves by bonding with other men. One of the last scenes in the movie “Superbad” features Jonah Hill and Michael Cera cuddling.


The bromance trend is at the center of DreamWorks’ latest movie, “I Love You, Man,” opening March 20. The film tells the story of Peter Klaven, a guy who is about to get married but doesn’t have any pals who can serve as his best man. So he starts going on man dates to try to find a best friend.


The movie stars Paul Rudd and Jason Segel, making this their third film together. In the spirit of the bromance we decided to look at the most profitable male couplings of the last five years. We picked the teams and then added up the worldwide box-office sales for all of the films each pairing appeared in together.


Topping the list are Ben Stiller and Owen Wilson. Their eight films together have earned a total of $1.8 billion at the box office. “Night at the Museum” was the highest grossing at $574 million. A sequel is in the works for this year. Their lowest-grossing film was Permanent “Midnight,” in which Stiller played drug addict Jerry Stahl. The movie earned only $2 million.


In second place: George Clooney and Brad Pitt. The four movies they have appeared in together earned a total of $1.3 billion at the box office. The “Ocean’s” trilogy accounts for most of that money. Last year they both starred in the Coen brothers’ movie “Burn After Reading” (but never appeared onscreen together).


Apatow’s gang takes up two of the spots on our list. Seth Rogan and his younger doppelgänger, Jonah Hill, along with Rudd and Segel, all appeared in 2007’s “Knocked Up.” Rogan and Hill’s movies have grossed $863 million in total, ranking them third on our list. Rudd and Segel’s films have earned $324 million (not including “I Love You, Man”).


At the bottom of our list are Kevin Smith and Jason Mewes. The pair appeared in six of Smith’s movies as dope-loving Jay and Silent Bob, and starred together in “Jay and Silent Bob Strike Back,” their highest-grossing film, which earned $34 million at the box office. But all together their films have earned only $109 million.


Sunday, March 15, 2009

Week 7- Point and Shoot: Documentary Film



"And I hope that the telling of this story turns out to be more than just simple catharsis for the friends of Andrew Begby or the friends of his family. I hope that it can help affect actual change in the way the system works, and if so, then maybe this goes from being a senseless tragedy to an unfortunate step towards necessary reform."

-Drew McWeeny's (AKA Moriety) review of
Dear Zachary: A Letter to a Son About His Father
for AICN

M 3.16/W 3.18
Point and Shoot: Documentary
Film Lecture: Introduction to Documentary Film, Pt. 2
Screening: Dear Zachary: A Letter to a Son about His Father (Kuenne, 2008 USA)
Due: OSR 4 (1980-Present)

Sunday, March 8, 2009

'Watchmen' conquers box office with $55.7 million


(03-08) 12:40 PDT LOS ANGELES, (AP) --


"Watchmen" clocked in with $55.7 million in ticket sales to claim the top spot at the box office, making director Zack Snyder's comic book adaptation about a team of twisted superheros the biggest opening of 2009 so far.


Still, it was not quite as big as the $70 million take of Snyder's "300" in 2007.


Dan Fellman, head of distribution for "Watchmen" studio Warner Bros., said it was unfair to compare the two films.


"They're two different movies," Fellman said Sunday. "This is a movie that runs two hours and 45 minutes. That really only leaves the exhibitor with one showing a night. If you have an 8 o'clock show, the next show is at midnight. So with essentially one show a night, I think this is outstanding."


Fans of the subversive comic book series by writer Alan Moore and illustrator Dave Gibbons waited years for Snyder's big-screen version. The anticipation was complicated last year when Warner Bros. and 20th Century Fox fought over who owned rights to the $125 million film. The studios eventually settled in January, keeping the March 6 opening intact.


Many "Watchmen" enthusiasts raced to IMAX theaters to see the exploits of Dr. Manhattan and company on the bigger screens. Greg Foster, chairman and president of IMAX Filmed Entertainment, said the movie sold out on all 124 IMAX screens it was playing on during the weekend and was the second largest opening in company history behind another superhero film, 2008's "The Dark Knight."


With no other new releases to compete against, "Watchmen" easily bumped off "Tyler Perry's Madea Goes to Jail," which had held the top spot the two previous weekends. The Lionsgate comedy took in $8.8 million, good for second place, according to studio estimates Sunday. 20th Century Fox's "Taken," starring Liam Neeson, took the No. 3 position with $7.5 million.


For the year, movie attendance continues to soar, with revenue at $1.9 billion, up 16 percent through the same point in 2008. Even factoring in 2009's higher ticket prices, movie attendance is running 14 percent higher than last year.


Disney's "Jonas Brothers: The 3D Concert Experience" dropped from No. 2 to No. 9 at the box office.


"There have been some casualties this year," said Paul Dergarabedian, president of box office tracker Media By Numbers. "Not every film can be a hit — even during this box-office bonanza we're having right now. It dropped about 78 percent the second weekend. It's a young audience. The ones that wanted to see the Jonas Brothers came out last weekend."


Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Media By Numbers LLC. Final figures will be released Monday.


1. "Watchmen," $55.7 million.

2. "Tyler Perry's Madea Goes to Jail," $8.8 million

3. "Taken," $7.5 million.

4. "Slumdog Millionaire," $6.9 million.

5. "Paul Blart: Mall Cop," $4.1 million.

6. "He's Just Not That Into You," $4 million.

7. "Coraline," $3.3 million.

8. "Confessions of a Shopaholic," $3.1 million.

9. "Jonas Brothers: The 3D Concert Experience," $2.8 million.

10. "Fired Up," $2.6 million.

Week 6- Point and Shoot: Documentary Film



Well, maybe they'd like it if I lose. I gotta try losing sometime.

-Billy Mitchell in The King of Kong: A Fistful of Quarters

M 3.9/W 3.11
Point and Shoot: Documentary Film
Lecture: Introduction to Documentary Film, Pt. 1
Screening: The King of Kong: A Fistful of Quarters (Gordan, 2007 USA)
Due: OSR 2

Monday, March 2, 2009

Modern Musical Scenes: Supplemental, Part III

Trailer for Save the Last Dance (2001):


"La Vie Boheme" from Rent (2005):


"Springtime for Hitler" from The Producers (2005):


Trailer for Idlewild (2006):


Amy Adams in "Happy Working Song" from Enchanted (2007):


Vanessa Hudgens and Zac Efron in "Can I Have This Dance" from High School Musical 3: Senior Year:


Beyonce Knowles in "I'd Rather Go Blind" from Cadillac Records (2008):

Sunday, March 1, 2009

Modern Musical Scenes: Supplemental, Part II

Trailer for Breakin' (1984):


Rick Moranis and Ellen Greene in "Suddenly Seymour" from Little Shop of Horrors (1986):


Samuel E. Wright in "Under the Sea" from The Little Mermaid (1989):


Amy Locane and Johnny Depp in "Please, Mr. Jailer" from Cry-Baby (1990):


Trailer for The Commitments (1991):


Music video for Whitney Houston's "I Will Always Love You" from The Bodyguard (1992):


Brad Kane and Lea Salonga in "A Whole New World" from Aladdin (1992):


"This is Halloween" from The Nightmare Before Christmas (1993):


Julia Roberts in "I've Been Waiting for You" from Everyone Says I Love You (1996):


The Spice Girls in "Say You'll Be There" from Spice World (1997):

Modern Musical Scenes: Supplemental, Part I

Here are additional scenes and trailers from the modern era of musicals:

Trailer for Phantom of the Paradise (1974):


Trailer for The Muppet Movie (1979):


Richard O'Brien in "Time Warp" from The Rocky Horror Show (1975):


Elton John in "Pinball Wizard" from Tommy (1975):


John Travolta in Saturday Night Fever (1977):


Trailer for Xanadu (1980):


Trailer for Fame (1980):


Julie Andrews in "Le Jazz Hot" from Victor/Victoria (1982):


Trailer for Flashdance (1983):


Prince in "Let's Go Crazy" from Purple Rain (1984):